Drawing Class: Drapery [1st semester]

During the 1st semester we had a lot of drawing lessons. One of the first course was about learning drawing different materialities and fall of cloths,
For drawing drapery in different shades I used a soft and a hard pencil. You see the final selection of my artworks.

Life Drawing Class [1.semester]

The 1st semester mainly contains courses to improve the drawing skills. My favourite class was nude drawing, because my drawing skills developed so much during such a short time.

Exploring the proportions by capturing, in just a few minutes, shape and shades of the human body. It was a kind of training for the eyes and helps us as designers for drawing mannequins but also creating our clothing with right proportions.
We did different exercises and focused on different body parts to increase our drawing abilities.

I mainly used soft pencil but also loved drawing in color.

'Fictious' Collection: Nature Takes Over [2nd semester]

The following pages made up the document of my first collection, we only designed but not sew.
I created it in summer 2014 as a collection for this summer'15.
The topic was 'eco active'. It was to us to develop own ideas out of this limitation.
I took a close look to transience.
When nature takes over and takes the space back humans once seized.
Rust. Mud. Crinckled Surfaces. Destruction.
The whole concept is in german but this is the main idea behind the designs.

First Photoshop Experiences [2nd semester]

During the 2nd semester we started using Adobe Photoshop and Illustrator.
We searched for some pictures on the net and used own images we had drawn.
Then we put them together in one: morphing, cutting or setting them in a special effect.

Here some of the results

First Draped Dress [2nd semester]

TRINITY DRESS

During the Draping Class in the 2nd semester, the task was to create a garment out of the basic geometric forms: squares, triangles and circles were gathered, pleated or cut in order to shape the dress.

This is sewn out of mold an untreated, raw cotton. Usally mold is used for draping, because it’s a cheap material.
In this case the focus should be on the design itself and not on color or structure of material. So the colorless, plain woven cotton suits perfectly, that the design isn’t distracted.
Here we are: the design
The skirt consists of nine triangles wich were pleated symmetrically.
Two of those pleated traingles are also on the front upper part. The back stands in contrast to all the clear pleats: There is a fluffy cloudy voluminos triangle.
All in all you can compare this contradiction to a holy image of Jesus: The pleats symbolise the halo, the cloudy back stands for the clouds where Jesus comes from and still lives.

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Model: Jessica Klausner
Photographer: Philipp Omuro
Design & Image Processing: Anna Wiendl

Englishproject: World of Fashion in the Future [3rd semester]

Vanessa Bärnthol Anna Wiendl 2015 Patchwork Planet from Phoenix-English Communications

The slides explain the designs of my fellow student and me.
We imagined how the ‘Fashiondesign-World’ will look like in the future.
The scenario ‘patwork planet’ is all about a world in hostilty and how the seperated regions deal with war and ressource shortages.

Have fun watching.

Anna Wiendl & Vanessa Bärnthol
Mediadesignhochschule München
3rd semester